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Monday, December 6, 2021

Earl Sweatshirt showcases his evolution and 14 more new songs

Earl Sweatshirt released his debut mixtape “Earl” in 2010, and his new song, titled at the time, shows how much he has evolved while retaining his wise rebellious spirit. Earl’s latest releases are “Some Rap Songs” 2018; 2019 Feet of Clay presented his music in its most avant-garde style, moving through a dark collage-like atmosphere in a constant state of transformation. 2010, however, is more straightforward and self-sustaining, with an understated beat from the producer of Black Noise that allows Earl to plunge into a hypnotic torrent. Laconically poetic images (“the wink of the crescent moon when I blinked”) and strangely satisfying frank confessions (“went outside, everything was great”) pour out of him as steadily as tap water. LINDSAY ZOLADZ

The characteristic descending chord progression, dramatic bursts, and even the lyrics of this song – “the measure of a hero – the measure of a man” – could have made it a James Bond theme. It’s a sign of FKA twigs’ overarching ambition, her willingness to indulge in lust and idealism, and how carefully she judges the gradation of her voice in each phrase. JOHN PAREL

Call it a meeting: “You gave me Nine Stories and you starred in mine,” California-born Australian musician Hazel English sings at the beginning of his ode to JD Salinger’s favorite book of every fussy teenager. The track is a three-minute dream of pop music, overshadowing the lyrics, bookish enough, for the Belle & Sebastian song, under a whirlwind of jingling guitars and shy muttering vocals. It’s also a bit of an act of nostalgia where a 30-year-old girl conjures up the sounds and memories of her high school days: “Now that I’m falling, I can’t ignore it,” she sings sweetly, sounds just as blissful. in adolescence was in love with love. ZOLADZ

The young Chicago trio Horsegirl is proof that Gen X’s shaggy indie rock spirit is alive and well in a specific Gen Z subgroup.The overlapping vocals of Nora Cheng and Penelope Lowenstein are buried under a discordant avalanche of Daydream Nation style. guitars, but enough lyrical imagery comes to the surface to create an oddly poetic impression of their protagonist on this standalone single, their first release since signing with Matador Records. “He wears off his robes in preparation for the crucifixion,” Cheng intones, while Lowenstein’s more melodic vocal line adds extra texture to the song’s shugazi enveloping atmosphere. ZOLADZ

On Touch. Don’t scroll. ”Ben Lamar Gay and Ayanna Woods, two musical polymaths from Chicago, sing about trying to stay connected to each other in this over-adjusted world. “Now baby I will never leave you lonely / Oh can you hear me or are you on the phone?” they hum in unison, an octave apart, to a syncopated beat and slightly flickering electronics. The track fits deep into “Open Arms to Open Us,” Gay’s latest album and arguably his most engaging, combining influences from country blues, Afro-Brazilian percussion, naughty Chicago free jazz and 2000s indie rock. Giovanni Roussonello

“Bet It” from Halle Berry’s directorial debut soundtrack “Bruised” is only Cardi B’s second solo single released this year. And while it’s nowhere near as fun or inspirational as the previous hit “Up”, “Bet It” is more like a bragging status update in Cardi’s recent past, given her Grammy wins and her memorable Met Gala appearance in a dress with ” The tail is so long that it stretches after 30 minutes. ” ZOLADZ

An impressively fevered twist from Morrey, whose breakout 2020 single “Quicksand” leaned towards the spiritual. But here he is ferocious, rap with a prickly squeal and a sense of defiance. He is accompanied by Benny the Butcher, one of the coolest braggers in hip-hop. An unexpected and unexpectedly effective combination. JOHN CARAMANICA

Producer Frank Dukes, who has done low-key and melodic work with Frank Ocean, The Weeknd, Rihanna and many others, is releasing The Way of Ging, his first project under his own name. This is an album of beats – a bit cassette as they used to say – that is available for a limited time on the Internet and will eventually be removed from the Internet and only available as an NFT set. “Likkle Prince” broadcasts early ’80s electro along with some overwhelmed disco grandeur. It’s creepy and exciting. KARAMANIKA

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Exciting and trippy burst of hyper-pop mayhem “Everybody’s Dead!” is a new single from Underscores who released “Fishmonger” earlier this year, a great, scrappy and mischievous debut album. KARAMANIKA

Mexico City-based sound engineer Microhm, née Leslie Garcia, produced Spooky Actions and its accompanying EP using only modular synthesizers. The result is the feeling that you are racing through a black hole, where sound and time are transformed into a quantum dislocation. The textures of the environment swirl over the steady beat of the drums, and the moments fade into oblivion. ISABELIA HERRERA

Leon Bridges looks back at Sam Cook’s soul; Jazmine Sullivan can go back to the skeet-singing bebop. In Summer Rain, the two swap poetry instead of slow rhythm and rhythm guitar to induce endless conjugal bliss, urging each other to “don’t stop now” in fewer minutes of paused time to be played on repeat. PARELS

Ibei’s music has always had a sense of ancestry: Afro-Cuban French twins grew up listening to Yoruba folk songs that convey the spirit of enslaved people transported to the Caribbean through the middle passage. But in their new single, “Made of Gold,” featuring Ghanaian British rapper Pa Salier, the simple but powerful piano and cajon are replaced with a heavenly, ghostly otherworldly. With references to the Yoruba deities Shango and Yemaya, as well as Frida Kahlo and the ancient Egyptian Book of the Dead, the duo invoke power from different generations of sources to protect them. “Oh, you with the spine, who will work with your mouth against my Magic,” they sing. “It was transmitted in a continuous line.” HERRERA

Sting’s new album, The Bridge, often harks back to the jazz-folk-celt-pop hybrids he forged on his first solo albums in the 1980s; one song, “Harmony Road,” even contains a saxophone solo by Branford Marsalis, who played a central role in 1985’s Dream of the Blue Turtles. Many of the new songs lean toward parable and metaphor, but not “Loving You”. Confrontation between husband and cheating wife, whom he still loves: “We made an oath in church to forgive each other’s sins,” he sings. “But there are things I have to endure, like the smell of someone else’s skin.” Co-written with British electronic musician Maya Jane Coles, the track is limited to two chords and a brittle beat punctuated by distant arpeggios and sounds that float as unwanted memories; it’s unforgettably dark. PARELS

With patient arpeggios and soothing bass notes, harpist and composer Mary Lattimore erects a grand meditative edifice behind Chelsea Coy, the songwriter and singer behind “Single Girl, Married Girl” in “Scared to Move.” This is from the new album “Three Generations of Leaving”. Cale’s multitrack harmonies promise, “In a strange new twilight, I will be your guide,” as Lattimore’s harp patterns blaze a shimmering path forward. PARELS

“Deciphering the Message”, Makaya McCraven’s first album for Blue Note Records, may easily remind you of “Shades of Blue”, Madlib’s classic 2003 album, which remixes old tracks from the label’s jazz archive. On “Deciphering,” McCraven – drummer, producer and beat analyzer – loops through 13 tracks from the label’s catalog and attacks them with his own personal remixing and styling method. “Deciphering” is full of McCraven’s sound signatures: viscous atmosphere, restlessly energetic drumming, recognizable sounds of his longtime collaborators (Marquis Hill on trumpet, Matt Gold on guitar, Joel Ross on vibraphone, etc.). “Tranquility” stems from vibraphonist Bobby Hutcherson’s track from his 1966 album Components, and McCraven’s intervention is twofold: he doubles the original’s curved glass effect by adding a whisper of trumpet and fluttering flute over the original track. but his own drums – kinetic, pitiless – keep the boiling energy alive. RUSSONELLO

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