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Friday, July 1, 2022

Hearts and Bones: The Abstract Collection Feels Like an Artist’s Presentation of Reality

There is a creeping agnosticism – a precarious, faithlessness – threaded through much of the contemporary Irish narrative. Sally Rooney’s Frances, Niamh Campbell’s Alannah, Megan Nolan’s eponymous central protagonist, or Nicole Flattery’s show Them a Good Time are but a few examples of characters who have become disillusioned since Catholic, post-Celtic Tiger Ireland. appear to do. ,

When God has left the building, and the pursuit of career, money, and traditional values ​​no longer seems appealing, what does one dedicate oneself to? Do what you want, or rally against, when everything (the world, your oysters, your freedoms are endless), and nothing (the world is burning, the money-hoarding landowner classes, zero-hour contracts destroy all stability) are) possible?

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