trajectory is a circle formed by Centro Cultural Kirchner For Respect the work of symbolic figures of Argentine popular music. It was decided to inaugurate this new platform in relation to the federal pulse that will be there in the program. ramen mane, What will happen in two parts? Although the second will take place this month in the artist’s native province of Misiones, the first took place Sunday Night at the National Auditorium Of the cultural center located in Sarmiento 151. And in it was the presence of the respected man himself. despite reaching 95 years Last March, he was seen very clearly and especially indiscreet, Just like his character. Although he walked into the room with the help of his partner and his manager, Garupa’s man managed to find the opportunity. Greet the audience by waving your right fist.
The ceremony began with the intensity that artistic conception could only begin once the introductory ovation had elapsed and the diners satisfied their greetings by reaching the front of the stage, where the Master was seated. from there, Ayala was able to see a brief collection of his vast work. On this occasion the program was divided into two parts. First a. was in charge of String Orchestra conducted by Juan de Dios Rivasowho was commissioned to select Gualambaos Instrumental: A style created by a multidisciplinary artist and which has immortalized him as one of the greatest exponents of littoral music. While the result of the show was curated by Maru Figueroaand focused on recreating some of his biggest hits.
The old river that goes. Concert for Ramon Ayala: “El Mensu” The tribute was titled, which began with a voiceover that recited the poignant poem “Ser”. “You were called into this world by the magic of love or joy”replaces one of the passages of this ode which refers to the existence and way of this world, and which was implied by a sound scenario which was debated Between the inhuman and the cosmic. The orchestra then led by Rivas entered the stage to interpret “Alma de Lapacho”, with an arrangement that print of the forest Of the piece She was approved by “Korochiere”, who wore beautiful clothes with some dancers entering the entrance. This segment of the show concluded with a version of the piece that inaugurated the genre that the composer, composer, poet and painter had created: “El Gualambao”.
Before the watchful eyes of the respected man, the orchestra merged Entreriano Popular Wear Coast to CoastAnd a minute later the segment of the show featuring Ayala’s classics began to take shape. cecilia initiative voiced “Posadena Linda”, while Nadia Larcher She was relieved to sing “Portrait of a Fisherman”. There appeared the show’s family portrait, as well as the most unexpected guest from the public who filled the National Auditorium: nonerock band singer massacre, who performed “El Menso”. It so happens that in addition to being the nephew of the maestro, that song with a particularly autobiographical tone is signed by Ayala and the singer’s father, the violinist. Vicente City, That’s why he executed it with great justification, as well as entering a musical style that suits his vocal profile.
As a result of the show, Wallace stayed on stage, waiting for Pahl and Larcher to return to sing together.
“The Harvester”Supported by a fusion of orchestras conducted by Juan de Dios Rivas and the De Costa a Costa ensemble. After a long and continuous applause, the nation’s Minister of Culture,
Tristan Bauer, To distribute Ayala to the entity he represents and entered into a capacity with the officers of CCK A plaque highlighting the importance of his contribution to Argentine culture. In the midst of “Ole, ole”, the officer said after congratulating the missionary: “Ramon dear, with CCK we are excited. Thank you for your music and your work. Long live Argentine music, and long time Ramon Ayala . What if. He lived long.