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Wednesday, January 26, 2022

SAG Awards Nominations 2022: Full list, snubs and surprises

Will Smith, “King Richard”

Denzel Washington, “The Tragedy of Macbeth”

Cumberbatch, Garfield, Smith and Washington are all widely expected to repeat at the Oscars, setting up the Titans’ surreal struggle for victory. But it’s a big blow to see Javier Bardem here for his spirited performance as Desi Arnaz in “Being the Ricardos”: SAG voters have clearly seen this behind-the-scenes story of TV actors working on an iconic show. responded to.

Bardem beat some heavy-handed competition in this category, including Peter Dinklage for “Cyrano” and Leonardo DiCaprio for “Don’t Look Up”. As DiCaprio’s film is still gathering momentum — Netflix says it’s the second most-watched film of all time on streamers — fifth place in this Oscar race remains up for grabs.

Jessica Chastain, “The Eyes of Tammy Faye”

Olivia Colman, “The Lost Daughter”

Lady Gaga, “House of Gucci”

Jennifer Hudson, “Respect”

Nicole Kidman, “Being the Ricardos”

Awards voters are suckers for a tangible transformation into a real person, and this category offers it in spades: Chastain, Gaga, Hudson, and Kidman all played real-life figures and the work they put into those roles is clear. . Then you might have thought that Kristen Stewart’s acclaimed turn as Princess Diana in “Spencer” would be right up SAG’s alley, but voters proved surprisingly resistant to crowning her.

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If Stewart couldn’t even get nominated by SAG, her Oscar prospects look pretty bleak. I wonder, then, if the Oscar battle is going on between two women looking for their second Academy Award: Kidman, who turns into Lucille Ball in “Being the Ricardos,” and Coleman, the one in “The Lost.” As a troubled mother she is both prickly and sympathetic. Daughter.”



“don’t look up”

“House of Gucci”

“King Richard”

Although it is considered SAG’s top category, it has less to do with the race for best-picture: last year’s Oscar winner, “Nomadland”, was not even nominated for the Outstanding-Artist SAG Award, as guild honors. likes to do big ensembles rather than a film dominated by just one or two performances.

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