‘Greta Garbo’ is already here. Enrique Bunbury’s latest album, which follows “Intensive Levitation Course” (2020), was the second most productive work of the year in terms of creation and complex, like the rest of the planet Earth, to live daily life in its entirety. Caesaraugusta’s country talks about everyday life – he ventured into the theme song that opens his new work, produced by Adán Jodorowsky, it is a song that very organically claims the concept of whiteness against the prevailing trend. ‘He sings’ in travel
The album that goes on sale this Friday, May 26, and that is already available on all digital platforms, has 10 songs. It is released on vinyl (there is also a special transparent edition), CD and cassette.
‘Our worlds do not obey your maps’
A lazy starter, built for jogging. Adán Jodorowsky says ‘goodbye’ to the pierced and distorted guitars, the clapperboard that remains in the final mix and winds (electronic) completing the chorus lines. He doesn’t hesitate to show off Bunbury with round, graffitied phrases that please sensitive ears. “He that leaveth without kick, shall return uncalled,” as
‘Alaska’
In this song, the second album of White, Bunbury slows down and begins to bring out that inner catharsis that dominates a good part of the songs of this last crop. A change of pace, of plans, of bittersweet hope as well as forgiveness, all in the third/first person.
‘Invulnerable;’
The white letters invite to a syncopated dance, the sound of the 80’s film, clean, bright, with a strong point and again reinforcing the drums of the wagons. A song that will shake your ankles and in the first verses some gems in those selected concerts that you will perform.
‘They’re gone’
Ballad album; Elton John, Fito Páez, most echoed and sung by Bunbury himself. “What is not enough, even the stable can be dissolved.” The eyes
‘Let him be oblivious’
With the air of Brusius Hornsby, at the same time complicated and peculiar, he marks the Aragonese for crazy things and for handling them very well. “You’re not supposed to be a memorable celebrity.” Well that’s it.
‘back home’
Here is the rest of his hit, in journal form. That song would have sounded 30 years ago on a slow disco afternoon in the streets. “The future will be bright, I’ll put on my sunglasses”: this is called ‘positive thinking’.
‘The perfect weather.’
Another fine play by Jodorowsky, who informed the genetics of Alejandro’s father in the material of humor. After the start it looks like Barry White is going to enter. It is not otherwise. Splendid keyboards enter and Bunbury surfacing “waves of chaos, perfect storms”, “butterfly to worm, caught in the vine”. Powerful and exciting.
bumper cars
This melancholic theme touches many hearts among the artist’s admirers. The letter is in preparation. “Cars without a steering wheel make them sweat blood on the roof, the moral gibberish, the watchful of customs, the hands of civility.” Again he alludes to the exit. If the repertoire goes live, the chorus is sung at the top of the lungs.
‘Armageddon of mercy’.
This ninth Bunbury tune returns to the beloved frontier sound, with a great song armed with a chorus. “I am cold, I am ice, I am the only rock that runs through the universe when systems fail.” 2. Another: “I fear that it will be necessary to heal all the losses.” Some people put it on the trigger. It’s a lot of information, but it’s easy to digest.
‘Right the world with a song’
It is important to learn how to close a disc well, even in impossible formats. This poem is a slow walk along the river, on foot or on horseback, with instruments that complain, even howl, filling the bar between academicism and anarchy. Reluctance to repeat.
