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Thursday, August 11, 2022

The branch of the show that husband Chapoy didn’t want to “peel off” and changed everything

almost everyone knows that Pati Chapoy embodies an – or el – celebrity journalism in Mexico for several decades. Ral Velasco—who took a liking to the communicator’s style after the interview—opened the doors of Televisa to him at the OTI Festival and the ‘Always on Sunday’ productions, later to give him his own program ‘El Mundo del Show’, and Create the illusion that celebrities can be accessible to the public. But being the neighbor of a powerful businessman also helped her become the owner of one of the longest running shows on Mexican television.

In 1990, the government of President Carlos Salinas de Gortari announced plans to decompose the parastatal television station Imavision for subsequent auction to the private sector for commercial exploitation. Three years later, a group of investors led by Ricardo Salinas Pligo acquired a package of media privatized by the federal government, and thus TV Azteca was born.

Journalists Javier Alatore and husband Chapoy have been the headlines of two major programs since the emergence of TV Azteca nearly three decades ago, the newscast ‘Hechos’ and the entertainment magazine ‘Ventanendo’.

By that time, Chapoy had already been fired from Televisa, after more than twenty years of devotion to the television station that dominated everything. It was here that their proximity—literally—helped them enter the new company that promised to feature new audiences as they said. Esteban MaciasOne of the journalist’s former students in the most recent episode of ‘Con b de Burak’.

Macias recalled that in the early 1990s, a university professor invited her to do a pilot film program on TV Azteca, a project that didn’t prosper, but the idea came up with the idea of ​​collaborating on a show that helped her husband. It also marked Chapoy’s return to television. ,

“(Chapoy) went off air for two years after being on televisa for two years and Enter TV Azteca, that she entered as production director and consultant because she was the neighbor of Ricardo Salinas Plíego, The two lived in a very ‘nice’ neighborhood and that was where they met. Ricardo Salinas told him ‘I won the TV Azteca assignment, help me (…)’. TV Azteca’s first television program as a private company in the middle of the show. Cinema expansion.

There was never any doubt about her vast experience as a producer and host, “She knew what she wanted and was very clear about where she wanted the shows to take her; In terms of production, she practically let you do what you wanted, nothing more. She was advising you; when it came to choosing a driver, she had the last word”. Gustavo Adolfo Infante, Victor Gordoa, Atala Sarmiento, Monica Garza are some examples of these chosen faces.

but If there was anything that the great journalist didn’t dominate, it was, fortunately for Macias, about the big screen., “She dominated anything from show business, but cinema and no less international cinema, and it caught my attention. Distributors were searching to interview Tom Cruise, Julia Roberts, Denzel Washington, they didn’t even peel it Granted; invitations came and nothing happened and this was one area where I began to specialize and, practically, free governance. It was ‘Old lady here I am, old lady I am leaving. I interview Martin Scorsese’ Going to New York to do’, he returned; ‘Now I’m going to Los Angeles to interview…’ And it was like; luckily, entering a time when Mexico was very green.”

Thanks to this, the film expert recalled, it allowed him and TV Azteca to go to the big Hollywood party, the Oscars. “One day I went into his office and said to him ‘Hey, husband, I want to cover the Oscars’, ‘Well, go, Mijito.’ Just like that. ‘What am I supposed to do?’, ‘I don’t know ‘Mijito, Averigua’ allowed Macias to cover that first installment in 1996 and venture into producing coverage for several years, in addition to expanding his film section to other locations such as afternoon and morning news broadcasts, As of 2019, when due to differences with new directors including Alberto Ciurana (disputed with Chapoy for theft of his two talents, Papillo Origel and defunct producer Carmen Armandriz, and complaints against the old Televisa for theft of images), they Decide to terminate your contract until he joins Mutimedios.

Once Macias’s departure from TV Azteca was confirmed, where he collaborated for 25 years, Pati sent him an emotional message and wished him success in his new work adventure. “My dear Esteban … I congratulate you on this new professional stage, a good communicator will always have a window to his talents.” Out of the affection of his master, he promised to put into practice what he had learned.

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World Nation News Desk
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