After more than a month closed and stopped at the Fair The Lope de Vega Theater reopens its doors, that he had to stop the programming due to a serious fault in the fire curtain which has already been corrected.
The reopening will be next Friday, May 5 with the work of the bailaora Paula Committee entitled ‘Allegory. (The limit of his cards)’ that he steps in collaboration with the dancer Lorena Nogal.
The municipal coliseum closed its doors at the end of March forced to transfer taurine proclamation to Maestranza theater. The first job affected by this closure was the job The ‘Bingueras’ by the girls of Cadiz that it should have been organized on March 30 and 31 and finally postponed until June 8 and 9. Similarly, the breakdown affects the functions of the work ‘Les vieux’, by Teatro del Velador, directed by Juan Dolores Caballero which was adjourned until June 6. However, there was a premiere that was definitely canceled as new dates cannot be found, and it worked there. ‘The pale ones’, from the National Drama Centre, Scheduled for April 15 and 16. The company had already closed the tour for these months and it was impossible to find a place to return to Seville.
the work’allegoryby bailaora Paula Comitre, It premiered on September 19 at the Teatro Central in the programming of Flamenco Biennialin Seville. Comitre (Seville, 1994) trained at the Antonio Ruiz Soler Dance Conservatory and later at the now defunct Andalusian Dance Center. He auditioned and got a place in the Ballet Flamenco de AndalucÃa dance group under the direction of Rafaela Carrasco, a company that received the Giraldillo for the best dance body in the XVIX Bienal de Flamenco at that time.
‘Allegory’ is his first collaboration with Catalan dancer Lorena Nogal, Trained at the Institut del Teatre de Barcelona and dancer in the company It Dansa. For ten years he was part of the artistic team of La Veronal, working together with Marcos Morau as assistant in choreography and dancer.
In this proposal both dancers share the stage from each of their own dance aesthetics, is like a battle built between two, a choreography of tension between the two hemispheres of the same entity that shows in its total complexity, reaffirms or reinvents its useful values, through the cooperation of the opposites. The show proposes an immersive journey, which transports the viewer to the limits of convention, to the dangerous intersection of doubts and surprises in order to witness a formal infection that causes the borders of two Platonic worlds to collide.
